Still on the semi-clad thing. Really happy with this one and she was sold within the day of putting her up for sale. I was so touched and delighted by that. :-)
What I need is a model. I need someone with a lovely womanly figure to pose for me soI can get the positions I want I to paint. I think If I find the right person I'll just have to be brave and ask. :-)
After watching the Modigliani episode of Forger's Masterclass I got all inspired to do my own. I have been working so much in oils lately and am used to the long drying time. It has been so much fun to drag out the acrylics and do a whole painting in a day again.
Finally got around to taking photos today - outside set up under cloudy sky with tripod, etc - and when it was all done I realised the camera had reset itself when the batteries died and was taking small photos instead of the super duper sized ones I usually take for making prints. Damn!
I know it's been a long while. Just so busy. And I need to get good photos of the things I am painting and I just haven't had the time.
Oh well, here's a couple of my latest anyway.... :-)
(As you can see, they are not good photos. I am waiting for a good overcast day where I have some time to myself, to set up the outdoor easel and get some good shots. Hopefully in the next few days.)
I do love the creation of these pieces. I have an idea, a feeling, of what I want to do. And then I just work at it and work at it until it happens. It's a feeling of rightness as I add texture and colour.
(And sometimes the name just seems right as well. {g})
I know, it's been a long long time. Due to current circumstances, finding the space to paint is near impossible. However, in stolen moments I am working on these. Simple, but fun. And I like the bold colourful retro feel of them. :-)
That might be a tacky heading, but it's how this painting feels to me. That lump in your throat where you feel your sadness is as big as the world, and that if you start to cry, you just might never stop.
I didn't set out to make this painting feel that way - but when that is what I began to feel as I looked at it, I knew it was time to stop.
It is just so hard to get a good representation of the colours - there is so much texture and depth with the gloss that the painting looks different from different angles even in real life.